Thursday, April 15, 2010

Movie Innovation - White Cyclorama Los Angeles

By Phillip Guye

For someone who has been watching movies from the sidelines but hasn't seen how a film is shot and edited, plenty of questions come to mind at the appearance of those seemingly not possible to shoot scenes. If you are one of these people then you'll be satisfied to understand that there are numerous more like you in town. The consolation is that this article is going to open your eyes as much as they can to the genuine truth behind flick making, and how flick making has changed a lot during the past couple of years.

Most, or even all of the scenes in latest flicks are shot with a special background referred to as a white cyclorama. Ever since its invention the white cyc background has evolved to fit into the technologically complicated age that we live in. The white cyc background is a plain white background made from muslin or other materials, which is used to give an impression of an infinite space. If an image is shot expertly with a white cyclorama Los Angeles background, the standard of the footage and the movies will be perfect.

The inventor of the white cyc initially made the white cyc for the film industry and with the improvements in the standard of the white cyc ; it is now being utilized by more and more folks in the photography industry as well. The white cyclorama Los Angeles is a useful tool for film makers and photographers alike because the background can be digitally replaced by any fascinating image. So, rather than having to fly all the way to Hawaii to video Jurassic Park, Steven Spielberg might have simply digitally edited in pictures of Hawaii over a white cyc.

When selecting a white cyc to work with, don't overlook the visual failings of the cyc or you will live to rue it. If there are any smears, cracks, or any other imperfection in the wall, it will spoil your chances of getting high quality photos or pictures. Another vital factor is to pay attention to the cleanness of the white cyclorama Los Angeles. The wall should be pure white, not any other color and nothing between. Also ensure that the wall is curved and unbroken ; the seamlessness of the curved white cyclorama implying it should be one piece and not two pieces of wood. It should be smooth too so as not to create shadows. A shade is an undesirable effect and will drastically affect the standard of the flick.

A white cyclorama Los Angeles studio should be large enough to accommodate all the movie props required for filming. It should also have a high ceiling to make allowance for unique shots. Essentially if you'd like to shoot a film in L. A. and you are looking out for a white cyclorama Los Angeles studio, look for a location that may give you all said necessities. - 2361

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