Photoshop Tips - Adobe Photoshop and Text
Sometimes, when it comes to getting a picture to convey a particular emotion, or augmenting the theme of the background you juxtapose it against, nothing works quite as well as a few choice words. These could either be in the form of a quirky caption, or an insightful banner, or just about anything that adds to the significance of the picture in terms of the context you want to present it in. However, many photographers and editors have shied away from 'tagging' their images for years, for fear of their pieces of art turning into tacky caricatures, by merely adding a not-so-impressive effect that detracts from their image's artistic value. In recent times, the revolution called Photoshop has literally swept these cynics of their feet, offering an array of features that would have otherwise been considered impossible to attain with more conventional digital photo-editing softwares.
Photoshop relies on the principle of Anti-Aliasing, which literally blends the text in with its background, so that the final result of your editing efforts is not a scintillating image and a few well-thought over words but an image of which the text and the photograph are fundamental parts. Anti-Aliasing works on the pixels of your text, partially filling in the edges to have them merge with the image. And this remarkable tool also allows you to be flexible and discreet in the extent to which you use it. If you are looking for an effect that is well-blended and yet retains the distinctiveness of the text, the 'Sharp' option allows you just what you're looking for, while the 'Strong' alternative makes the text heavier than the rest of the image.
If you are working with very small text that is below the font size of 10 or 12 points, then as Photoshop specialists recommend, steer away from using Anti-Aliasing by setting the preference to 'None'. This keeps the text from being modified inconsistently, a factor that comes into play when working with images of a very small size, or of a low resolution. The 'smooth' and the 'sharp' alternatives live up to their name with the effects they bring about, but if you are looking for something in between, try the 'Crisp' option which, as the name suggests, makes your text appear decisive. To work with Anti-Aliasing, choose the option you intend to work with from the menu, which you will find in the 'Type' layer segment of the Layer Palette. You can move to this menu either by selecting it from the 'Options' bar, or from the 'Character Palette'.
To work with the 'Type' tool, you first need to bring it to the 'Options' bar. You can do this by hitting the letter 'T' and then choose the options as per the effect you are looking to create. Of all the options that the bar offers, the first two are to create a Type Mask or a Type Layer. You can base your preference on what you are more comfortable working with. For large bodies of text which may be difficult to fit in at the first instance, you can create a Type Layer, click and size a rectangular or square box and create a text column, which you can fit into the portion of the segment you want to feature the text in. when typing directly on the image, watch out for the I-beam on the image, the small horizontal line across which is the baseline for your text. Paying attention to this baseline allows you more precision even as you work on the image, thus saving a lot of time and effort on resizing after the damage has been done!
With Photoshop, you always have the option of previewing your text to check for font and style compatibility, even before you actually begin to type in the content. However, if you think you need to see the final effect to make your decision, you also have the alternative of typing your text in, highlighting it and then modifying the finer nuances. Coloring your text is another ballgame altogether. With Photoshop, you can not only fine-tune your color choice with every individual character, but also multi-hue your text while using only a single layer. While the Color-Picker is bound to spoil you for choice, you can also pick colors off your image by moving your cursor to the color you want to emulate, while keeping the Color Picker window open.
Once you added your text and granted it all the enhancements you could think of, you may want to take a minute to gloat over your accomplishment. To do this, exit the type mode with the 'Enter' key on the 'Numeric Keypad'. You can also exit the 'Typing mode' by selecting any other tool in the toolbox or clicking on the checkmark in the Options bar. And if you still aren't satisfied with the text you've added, you can re-enter the Editing mode by double-clicking on the 'T' icon in the thumbnail area of the Layers Palette. For a quick-fix job where you just want to resize the text or move it around, remember to hold down the 'Shift' key while dragging the text to adhere to the proportions. Not doing so will lead to your text becoming taller or wider than it originally was and if that's what you're looking for, proceed the same way you would with the exception of holding down the 'Shift' key.
No longer a marvel confined to the realm of the seasoned pros Photoshop is also a very handy tool for the nervous beginner once he gets over the initial learning curve. The trick here lies in getting as much practice and as creative as you can and let the software work its charm for you the masterpieces that you churn out will be well worth the toil!
Photoshop relies on the principle of Anti-Aliasing, which literally blends the text in with its background, so that the final result of your editing efforts is not a scintillating image and a few well-thought over words but an image of which the text and the photograph are fundamental parts. Anti-Aliasing works on the pixels of your text, partially filling in the edges to have them merge with the image. And this remarkable tool also allows you to be flexible and discreet in the extent to which you use it. If you are looking for an effect that is well-blended and yet retains the distinctiveness of the text, the 'Sharp' option allows you just what you're looking for, while the 'Strong' alternative makes the text heavier than the rest of the image.
If you are working with very small text that is below the font size of 10 or 12 points, then as Photoshop specialists recommend, steer away from using Anti-Aliasing by setting the preference to 'None'. This keeps the text from being modified inconsistently, a factor that comes into play when working with images of a very small size, or of a low resolution. The 'smooth' and the 'sharp' alternatives live up to their name with the effects they bring about, but if you are looking for something in between, try the 'Crisp' option which, as the name suggests, makes your text appear decisive. To work with Anti-Aliasing, choose the option you intend to work with from the menu, which you will find in the 'Type' layer segment of the Layer Palette. You can move to this menu either by selecting it from the 'Options' bar, or from the 'Character Palette'.
To work with the 'Type' tool, you first need to bring it to the 'Options' bar. You can do this by hitting the letter 'T' and then choose the options as per the effect you are looking to create. Of all the options that the bar offers, the first two are to create a Type Mask or a Type Layer. You can base your preference on what you are more comfortable working with. For large bodies of text which may be difficult to fit in at the first instance, you can create a Type Layer, click and size a rectangular or square box and create a text column, which you can fit into the portion of the segment you want to feature the text in. when typing directly on the image, watch out for the I-beam on the image, the small horizontal line across which is the baseline for your text. Paying attention to this baseline allows you more precision even as you work on the image, thus saving a lot of time and effort on resizing after the damage has been done!
With Photoshop, you always have the option of previewing your text to check for font and style compatibility, even before you actually begin to type in the content. However, if you think you need to see the final effect to make your decision, you also have the alternative of typing your text in, highlighting it and then modifying the finer nuances. Coloring your text is another ballgame altogether. With Photoshop, you can not only fine-tune your color choice with every individual character, but also multi-hue your text while using only a single layer. While the Color-Picker is bound to spoil you for choice, you can also pick colors off your image by moving your cursor to the color you want to emulate, while keeping the Color Picker window open.
Once you added your text and granted it all the enhancements you could think of, you may want to take a minute to gloat over your accomplishment. To do this, exit the type mode with the 'Enter' key on the 'Numeric Keypad'. You can also exit the 'Typing mode' by selecting any other tool in the toolbox or clicking on the checkmark in the Options bar. And if you still aren't satisfied with the text you've added, you can re-enter the Editing mode by double-clicking on the 'T' icon in the thumbnail area of the Layers Palette. For a quick-fix job where you just want to resize the text or move it around, remember to hold down the 'Shift' key while dragging the text to adhere to the proportions. Not doing so will lead to your text becoming taller or wider than it originally was and if that's what you're looking for, proceed the same way you would with the exception of holding down the 'Shift' key.
No longer a marvel confined to the realm of the seasoned pros Photoshop is also a very handy tool for the nervous beginner once he gets over the initial learning curve. The trick here lies in getting as much practice and as creative as you can and let the software work its charm for you the masterpieces that you churn out will be well worth the toil!
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