Cataloging Tips for Sound Effects
Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.
Finding the right format is the first step in creating your metadata document. The most frequently requested format for metadata is an .xls file with categories in columns and individual sounds in rows. Searching through your sounds according to File Name, or Time Length will be very easy if you use this type of format.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
3. The next main type of metadata, the Sub-Category, is intended to splice up each main category more specifically such as Tools: Hammers, Tools:Saws, Tools:Screwdrivers.
3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically.
4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1.
5. Since shorter sound effects are generally worth less than longer sound effects it is important to include the Time Length in your metadata so that interested clients know the length of each sample they might license.
6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample.
7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
Finding the right format is the first step in creating your metadata document. The most frequently requested format for metadata is an .xls file with categories in columns and individual sounds in rows. Searching through your sounds according to File Name, or Time Length will be very easy if you use this type of format.
1. Broad categories should be used for the first Main Category column such as Animals, Machinery, and Vehicles. Be as minimal as possible in picking the main categories for maximum simplicity and organization.
3. The next main type of metadata, the Sub-Category, is intended to splice up each main category more specifically such as Tools: Hammers, Tools:Saws, Tools:Screwdrivers.
3. Assigning a SKU number that begins with three unique letters, such as your company's initials, and five digits such as SFX00001_BirdChirp as you make them will add immediate organization to your library. The next sound should begin with SFX00002 etc. allowing each sound to be completely unique in title. This sort of numbered titling eases future confusion should you end you with 50 dog barks organized alphabetically.
4. The Title is a friendly title to be displayed for the potential licensee such as Dog Bark 1.
5. Since shorter sound effects are generally worth less than longer sound effects it is important to include the Time Length in your metadata so that interested clients know the length of each sample they might license.
6. Track info stipulates whether the sample is stereo or mono as well as the sample rate, bit rate , and file type such as Stereo 48k 24bit .wav which informs the licensee about the quality of the sample.
7. The importance of Keywords cannot be overlooks, as they are the main method by which interested licensees will find your sounds. Associated sounds, plurals of the sound, misspellings, and phrases should be used such as bird, birds, bird chirp, bird chips, fly, flying, nature, berds.
The next step after cataloging your sounds according to the above seven steps is submission to online distributors for sale of licensing rights.
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posted by Marcondes Allen at 1:28 AM
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